![]() a sense of trustworthiness - it’s more interesting to process a sincere exploration than a pointed screed. Instead, she takes the time to engage with a diverse array of voices and viewpoints, and consider the platform from all angles. does not shy away from criticism of the platform, Kantayya seems no more interested in unilaterally condemning it than praising it. The film’s wide view makes for a more complete portrait of TikTok than a more narrowly focused one might have offered, and possibly a more nuanced one. Woven around their stories are shorter appearances from other content creators (including one on Douyin, TikTok’s Chinese counterpart) - plus interviews with experts like New York Times reporter Taylor Lorenz and tech ethicist David Ryan Polgar, who provide larger context about TikTok’s history, its data-collecting algorithm, its effect on young people, its role in the cultural tug-of-war between the U.S. is loosely structured around three prominent TikTok personalities: Feroza Aziz, an Afghan-American teen censored by the platform for speaking out on the Uyghur genocide Spencer X, a beatboxer who found creative and commercial success on the app and Deja Foxx, an activist and political strategist who founded the online community GenZ Girl Gang. ![]() And if it’s perhaps too broad to serve as the definitive last word on the buzzy social media platform, it does at least make for a thoughtful conversation starter. It’s a geopolitical story.” Shalini Kantayya’s documentary tries, to varying degrees, to explore seemingly all of them. As noted in a voiceover near the start of TikTok, Boom., there are so many through lines to be explored here: “It’s a cybersecurity story.
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